Look at this poster here from 2008. Lots of acts, venues, promoters have fallen by the wayside since then.
We did a few shows back in the day at Whitechapel when there was a good dude there working on a decent music programme for Fridays.
We did Agoskodo Teliverek and they were amazing. We did The Twilight Sad and they were amazing too. It got quite loud sometimes and the staff were moody, and it never really sounded good because of a glass wall, despite having superstar soundman Phil Jones (albeit in his infancy) at the desk. And it never made any significant money cos it was too small. We had Oh Ruin play there too and a man too excited shouting during the set.
But I love this poster here, done in the old style by Luke Insect. He did some excellent posters for us. Some of them visible on the Local’s Facebook Page. This show was brought to us by trailblazing groundbreaker Duncan James “Dunc le chunk” Sime, of Red Deer in Manchester. Another piece of excellence.
Great design of course, but awesome that it features two excellent artists that are both enjoying the beginnings of great success the world over. I am proud that my company The Local continues to make our contribution to that success. George Thomas who is excellent too, hasn’t really made much of a sound for a while.
Both Sam and Liz are really special too. In some similar and other not similar ways. Both can reduce a room to silence, hilarity, tears.
My favourite quote from that night, from Liz. As David Thomas Broughton had shown up at soundcheck to say hello/grab a bite with Sam, I was looking for Sam. I said to her have you seen him? Her reply was she saw him going off with DTB for “some kind of musical genius meeting or something”.
See their webs for info on their current activities. Catch them soon.
Sam is HERE ———- Liz is HERE.
Tickets for Liz in London 3 April
Tickets for Sam in London 13 April
I’m in Bristol for this music event which I am privileged to have been asked to speak at. I find these experiences very interesting. Sometimes annoying, sometimes energising. I like to speak, and have become comfortable enough speaking in front of people. I believe I do a pretty good job of it. Many people far more experienced and clever than me are flatly not that good at speaking, or presenting, and I wish they’d do a little more in the presentation of themselves, their important messages getting lost in mumbles and unengaging banter which can lose a crowd. I am looking forward today to listening to a couple of panels about how to get heard, and the digital world. These should prove useful. I hope the people speak clearly and are engaging!
Like many people I got the email last night from The Luminaire informing me of their decision to call it a day. My friend Al English ex of ATP now of Blessing Force first told me about the venue as he’d played there with Youth Movies. so we had Billy Mahonie play there. My first experience therefore was of playing there. It was a busy night and I can remember the fun we had. The smooth running of the operation, the nice staff and so on. So I decided to bring a few of my Local or Knom Music events there and in the subsequent years we brought a good bunch of shows there. Some shows utterly bombed. Some were mad busy. We were always treated completely professionally, and with enthusiasm and kindness by Andy, John, Molly, Frid, Arthur, Matt, regardless of numbers.
I remember the countless times Andy told people to shut up. I loved the fact they wrote it on the walls. I brought one of our Shhh! events there once and it was a (quiet) blast. I have listened with interest at Andy’s rants about inequalities in venues, and I am aware in these austere times, of the shocking losses some places have the wherewithall to make – losses even half of which would buy some new kit or a stage for a new venue. I have enjoyed Andy’s rants about Agents too!
Perhaps all of us are responsible for this. I should have tried harder to put more shows there. Some of those shows we took into bigger venues and performed very poorly we should have rammed the Lumi with. As punters we needed to accept that Kilburn isn’t that far away, and use what is actually a very fine public transport system to get to London’s finest small venue for a great night out more often. We’ll definitely miss this place now it has gone (is going).
I think as fans, and as musicians, we are often the last to take the reality check on what is working and what is not, as we’re the least willing to call it a day “just before the miracle happens”. What Andy and his team have done is incredibly sad but also bold and I can only imagine they’re very relieved just now. I look forward to seeing what their next move is. I bet it’s pretty exciting.
On Friday just gone (23 July) we did a small night as part of a new festival in Blackburn, Lancashire. It was a great pleasure. I drove up with Alex Highton and Oh Ruin, and we met Dark Sky Singers up there. More on the bands in a bit.
I have been in touch with James at Playhappy Promotions for some time now, having had She Keeps Bees up there with him before. This here is a man of great taste (naturally) and also the balls to set up a few decent shows in a town which doesn’t see much to shout about. He’s put on shows with Blitzen Trapper, the Fence Collective (King Creosote, Pictish) and many other crackers besides.
The thing with this event is that it’s similar to what we’ve been doing in Rochdale with the Feelgood Festival. It’s an attempt to get some stuff moving which is good and relevant and decent and current and I hope to get up there more. The venue was called Jazzy Keks. Honest.
Alex Highton is my friend who’s been making music for yonks and yet now as a solo dude it all seems to come together. He was excellent and the folks dug it too. Nice. Songs written about his move from the city to the country and about his kids and family. Very Ray Davies/Paul McCartney/Graham Nash.
Oh Ruin is now officially just as excellent on his own as he is with a band (he played at Barbican with band Thursday night last and that ruled). I’d never really seen him do all the bluesy stuff he can do but he did and it was great and again the kids of Blackburn dug it.
Dark Sky Singers is a band you’ll be all clamouring to see in next little while. From Newcastle, and with a bunch of excellent songs and NINE actual people on stage, they’ve a release coming out on Static Caravan soon. Pretty dark and pretty pretty too. Not your usual, and it goes all repetetive and nice. I love it.
It was awesome. I write from croatia where I am working on the Electric Elephant Festival. The weather here is great, as expected but I’m blogging about how smart the weather was at GM and how it made all the difference!
Highlights for me: Zun Zun Egui, Trembling Bells, She Keeps Bees, Vetiver… wandering, some comedy… the weather…